supported by 7 fans who also own “Live at Hundred Years Gallery”
It is difficult to find improvisation albums which don't stand in either a "go together" or a "go separately" way of dialoguing. This albums stand in that middle point, not only in a more direct musical speech, but also timbrical. It is that point in which both instruments try to go to the extreme in order to become one (but finding out they can't) where this music happens. matador-uy